- Charley Wilcoxon 150 Rudimental Solos Pdf Download Software
- Charley Wilcoxon 150 Rudimental Solos
- Charley Wilcoxon 150 Rudimental Solos Pdf Download 2017
We're with the Reed interpretations right now, but I just went over this with a student, so I need to put up one more. It's a swing interpretation with partially filled-in triplets, using the 8th note rest and syncopation sections of Reed (pp. 29-44 in the old edition).
Charley Wilcoxon 150 Rudimental Solos Pdf Download Software
Dedicated to Charles Owen, this solo contains a wide variety wiocoxon different rudiments. Swinging the '26' by Charley Wilcoxon is a classic rudimental snare drum solo. We ship from centrally-located Dallas, Texas. Download Charlie Wilcoxon All American drummer 150 rudimental solos for free without registration.
Alan Dawson called this the interpretation for reasons I can't fathom— there are no ruffs involved, and I can't discern the Bossa Nova connection. So here's how to interpret each written beat of the exercises, based on how the notes sound; after p. 32 you'll be dealing with rhythms that are equivalent to the ones below, but are written differently. Play written 8th notes as alternating swing 8ths.
Today's entry is pretty straightforward— just make a ruff out of any note that doesn't have an (untied) 8th note before it. That's an awkward way of phrasing it, but I think you'll find it's very intuitive once you play the examples. The rudiments covered, or generated, include ruffs, single drags, and double drags, similar to a lot of the things in the Wilcoxon etude, from Modern Rudimental Swing Solos— I would recommed playing through that as a companion piece to this item. As always, we'll first see how it applies to the first line of Exercise 1, p.
37 in Syncopation. UPDATE: pdf download link works now! I don't get how herds work: suddenly everyone, everywhere is talking about four stroke ruffs. They happen to be all over this piece, played in 16th note triplet form on the snare drum, and especially played down the drums, ending on the bass drum— a very popular lick around 1970. Ian Paice, the drummer here, didn't invent it, but he plays them so much I've started calling them Ian Paice Specials. What the hell, maybe it will stick.
This performance is an early favorite of mine, from about when I was in the 8th grade, ten-ish years after the record, came out. A seven stroke roll consists of three doubles or multiple-bounce strokes, plus a release note, and there are two forms of them here, one of which is rather obscure-looking to modern readers. The sevens at the beginning of the piece, written as unembellished 8th note rhythm are pretty self-evident; you play the roll part as a 16th note triplet starting on the &, and release on 1. At the end of the third line there is a seven stroke roll written as an 8th note with a ruff at the beginning; which is an old-fashioned way of writing a tap seven, with a 16th note pulsation. In modern notation, that would be written as a 16th note and dotted-8th, with the roll on the dotted-8th— you roll on the “e-&-a.” The 15 stroke roll in the third line would be played the same way, with the roll continued through beat 2. The presence of ruffs on the same line is a little confusing; usually those are interpreted as an short, unmetered multiple-bounce stroke before the primary note, and seeing them attached to a roll you want to try to play them the same way.
Charley Wilcoxon 150 Rudimental Solos
In traditional rudimental drumming, though, they're often given a rhythm, and played as a drag on a 16th note— we'll have to go into that another time. So, line 1 would be played. From Steve Houghton's book, here's an alternate sticking method for making triplets out of Syncopation. For most people the most familiar method is to play the melody notes— the written rhythm in Reed— with the right hand, and fill out the triplets with the left. I'll modify that to avoid playing more than two hits in a row with the left, using (as few as possible) alternating strokes. Houghton also puts all of the accents on the right hand, but takes the opposite approach with the inside notes: he plays as many alternating notes as possible, and as few doubles.
Charley Wilcoxon 150 Rudimental Solos Pdf Download 2017
Examples after the break.